Archive

In the fourth and final part of our dive into how this 2026/27 story is being interpreted by early adopters, we find out how the retail sector is running with this pleasingly maximalist palette.

Nilufar's immersive curatorship always pays big dividends. This year founder Nina Yashar presents Grand Hotel, rethinking the idea of hospitality beyond established conventions.

For Milan Design Week 2026, MoscaPartners returns to Palazzo Litta, bringing new designs that focus on transformation and experimentation through materials and technologies.

Charles Burnand Gallery presents The Ground of Things, a new exhibition by Dawn Bendick featuring her first body of rugs alongside new kiln-formed glass sculptures.

Studio Jesper Eriksson’s Carbon Capture series combines anthracite coal and Jesmonite in cast compositions that explore carbon, geology and material contrast.

In the third part of our look at how this 2026/27 story is filtering through, joyful maximalism has been enthusiastically embraced; there are plenty of early adopters to be found in the surfaces sector.

A new show, Schiaparelli: Fashion Becomes Art, at the Victoria and Albert Museum in London is an opportunity to consider this designer's unique legacy, now in the capable hands of Daniel Roseberry.

Luxury car brand Range Rover continues to build on its alliance with craft and materiality by exploring new finishes, palettes and design principles at a recent pop up in Belgravia, London.

A standout from last year's Milan Design Week was Sten Studio's striking coloured stone totems, so were were excited to see what this Mexican design studio would do next. The answer to that question is the Wedding.